Punk

Self-proclaimed “post-everything, but quite punk overall”, Dogo Suicide’s music can recall that of groups such as Lysistrata, Les Vulgaires Machins or Fucked Up. The group depicts the paradoxes and absurdity of the world by combining sensitive and irreverent texts with music strongly influenced by the noise of the 90s. Inspired by the atmosphere of the disreputable taverns of lower town Quebec, the trio enjoys to navigate among the multiple influences of its members while playing with the codes of punk with casualness and impetuosity. If the group quickly became noted for its wild stage performances during which the word “compromise” remains in the locker room, it nevertheless never shrinks from an opportunity to slow down the metronome and present calm and sincerely melancholic sections. After two years exploring the alternative scene in Quebec, Dogo Suicide presents Apologie du Menteur, a new EP like his concerts: skillfully orchestrated, but also unpredictable and crazy.